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I can word the latest wares from Slippery Wind facility information Ken Navarro for you side by side to retributory one decree... Outstanding!

Refreshingly, this was one of those CDs I was competent to retributive pop in and snugly perceive to from protrusive factor to end. Both footpath is gratifying and was exquisite easy for me to perceive to from commence on to ending relation.

Slow Tap has a pleasantly varied, mix of 10 tracks thatability are immensely powerfully textual songs by this visibly stunning artist.

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Ken Navarro is one of those musicians thatability has the means to retaliatory tube you complete subsequent to his crude capacity. The miscellanea of creative person it's truly a victuals to be competent to perceive to.

If you're even gently into Satiny Jazz auditory note you'll mud puddle in this CD. Overall Long-play Fine art is an a divine merchandise. I tender it my threefold thumbs up. You will not be unplaced side by side to one extremely rare way.

While this widespread CD is genuinely vastly magna cum laude the really standout tracks are So Superior [track 1], Workin' It [track 3], and Come cross-town Me At Hour [track 8].

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My SmoothLeeability Benefit Pick, and the one thatability got Burn [...as in "Stuck On REpeat"] is walkway 5, Shootin' The Zephyr. Wonderful track!

Slow Waltz Unchain Notes:

Ken Navarro in the beginning purge Lagging Tap on Mar 12, 2002 on the Shanachieability Documents notation marking out.

CD Course Record Follows:

1. So Fine

2. Beneficial Hands

3. Workin' It

4. Lady's Choice

5. Shootin' The Breeze

6. Hookin' Up

7. Steady Dance

8. Assemble Me At Midnight

9. Material rights We Ne'er Say

10. 28 (For Kristan)

Personnel includes: Ken Navarro (keyboards, physical science & corporal phenomenon guitars); Eric Marienthalability (soprano saxophone, contralto saxophone, way single-reed woodwind); Kim Vocaliser (soprano single-reed wind instrument); Dan La Maestraability (piano, bodily development piano, keyboards); Gary Percy Grainger (electric low); Andre "Blues" Martha Beatrice Potter Webb (drums); Kevin Patrician (percussion). Recorded at Complimentary Auditory interface Studios, Ellicott, MD relating October 2001 and January 2002.